The Way Things Are

The Way Things Are
Thirty-Six Poems
by
Edwin Lent
Foreword by
Megan Heath, MSW
El Paso, Texas
1998
In loving memory of my parents,
Maurice and Frances Lent.
He taught me art.
She taught me life.
See the world as your self.
Have faith in the way things are.
Love the world as your self,
then you can care for all things.
-- Lao-tzu
Table of Contents
THE INTRODUCTION
Preface
Acknowledgements
Credits
About the Author
Foreward
THE POEMS
Affair: A Five-Poem Suite
Points of View
Surface Tension
Concerto
Wait
Recession
Annular Eclipse
Never Fails
Madonna and Child
Healers
The Clinic
Millie
Take Time
Desertion and Death
The Meaning of Life
We Don’t Think About These Things
Golf Courses and Hair
He’s Not Heavy
Post-Christmas Haiku
Impossibilities
What’s Important?
there’s something about . . .
Finality
To a Friend
Cellular Phones
The Way Things Are
(Sch)ism
Post Mortem: Frances Lent
Pity
On Nationalism
Hospital High-Tech
Food Mines
The Village
Where It’s At
Face It
Cinco de Mayo Haiku
Click-Clack
THE INTRODUCTION
PREFACE
If my first book, “Reflections,” was a plea for sincerity, this second volume is an attempt to extol the virtue (for want of a better term) of reality. Since one’s perception of reality is subjective at best, I feel I am on fairly safe ground. Many of the concepts presented here are based on my readings in Zen philosophy, which say to me that only when the outer layers are stripped away and discarded can one arrive at the true essence or meaning of a thing. Here then, in as minimalistic a form as I could muster, are a series of brief poetic accounts of, in my perception, “The Way Things Are.” Enjoy.
Edwin Lent
El Paso, Texas
November 3, 1996
ACKNOWLEDGEMENTS
My sincere thanks go out to my dear wife, Kay, for her continued encouragement and support even unto this second volume; to John Kemp for his steadfast support and assistance; to Megan Health for her overgenerous foreward; and to Paul DuMond for his elegantly understated cover, which in my mind is so perfectly in keeping with the sense of this work.
E. L.
CREDITS
The poems which appear on the following pages are reprinted from the publications indicated:
p. 30 Reflections, El Paso, Texas
p. 31 Reflections
p. 33 Reflections
p. 37 The Edge, El Paso
p. 49 The Burro, Texas Western College, El Paso
EB
p.50 The Patter, El Paso
p. 61 The Patter, El Paso
ABOUT THE AUTHOR
Of Russian ancestry and a native of Toronto, Canada, Edwin Lent was educated in Toronto and in El Paso, Texas. He has also lived and written in New York and Chicago and has been published in both Canada and the United States. He and his wife, Kay, live and work in El Paso and are the parents of two sons, Meishel and David.
FOREWORD
With words, Ed Lent can fly.
In his quiet observations, he journeys past our ordinary world to where there is complete amusement in watching cats at play, serene beauty in a perfect line of chess pieces, and utter absurdity in the existence of cellular phones, as if our very being depended on them.
In the microcosm of life he finds possibility and surprise:
There is so much so
tremendous much on the rim
of a coffee cup.
and hears the language of earth and sky:
Weathered sundial
yesterday so talkative
now clouds silence you.
While most of us live life by routine and obligation, Ed lives life by heart. He reminds us to laugh at ourselves, to notice the detail of a face, a hand, a look: to call forth the simple passions we hold beneath our pretense, and for a moment. . . to just relax.
THE POEMS
AFFAIR
A FIVE-POEM SUITE
Point of View
(boy thinks about girl)
Surface Tension
(boy meets girl)
Concerto
(boy dates girl)
Wait
(boy falls in love with girl)
Recession
(boy loses girl)
POINTS OF VIEW
How do I feel about her?
I -- oh, you know --
I’m teetering on the edge.
How does she feel about me?
Oh, Man!
She doesn’t even know
there’s a cliff....
SURFACE TENSION
When I talk to you
my heart trembles:
Our relationship
I think
is like a paper thin sheet
of frosted glass
fragile priceless china
or spindly sparrows’ legs.
And I hold back my words
that want to tumble
over themselves
into your understanding
mete them out to you
anxiously
grudgingly
so afraid
that each one will be
a bungling hairy fist
to destroy
our delicacy.
CONCERTO
Rachmaninoff boomed out
With her hand in mine
And it was beautiful
Much more beautiful than the first part
When our hands had stayed apart.
Rachmaninoff’s beauty ended
With our hands still entwined
And it was horrible
So horrible to have to applaud
And by applauding, make our own concerto end.
WAIT
wait hold it stop a while i cant
think -- you are too vivid
in my mind; it was all last night
and now you are monstrous reigning
in me. give me time youve got to give
me time to collapse
you
to your proper size
i know you cant be perfection
itself but it was all last night
and now you reign
god just think to reign
monstrous in me.
RECESSION
Before
(wrapped in an angel shroud)
She who could not love me
as I loved her
was in the forefront at the helm
of my tossing mind --
now
she has receded
into vaguer recesses
as one who waves
from a waning
shore
ANNULAR ECLIPSE
There
during complete annularity
extreme celestial rarity
(never again in our
lifetime)
a city worker knelt intently
on a gravel-covered plant-bearing median
on Mesa
meticulously picking out
the weeds
NEVER FAILS
Anxious to get it over with
she waited
impatient
in the checkout line.
at last
finally
she would be next.
Then
the woman ahead of her
dropped
a bottle of prune juice
shattering it on the floor.
Isn’t that always the way?
1/6/95
Las Cruces,
New Mexico
MADONNA AND CHILD
mother and son
tromp up the cold and
windy hill
sidestepping surveyors’
crazy fluttering
red and yellow flags
(although escape is impossible)
to capture
the snow-capped organs
against the azure sky
in early winter
HEALERS
He's fourteen.
He's sick.
He could die.
You teach him chess.
He ponders its intricacies.
Then, all at once
a glimmer
a spark of comprehension.
He smiles. "I get it now," he says. "Cool."
The game over, you say goodbye
and turn to leave.
He touches your arm
and hugs you.
You part
both healed.
THE CRITIC
You give him your book;
he gives you its price.
"Thanks so much," he says.
"You don't know how long I've waited for this."
Then he puts the book in the ashtray
touches his lighter to it
and the poems ascend.
The critic has spoken.
MILLIE
For six breakneck years of work
She couldn't feel
She couldn't be
Now
at last
those years behind her
She can feel her toes hurt
And sip Jack Daniel's
(on the rocks, of course)
TAKE TIME
take time
along the road
to stop
and smell
the people
DESERTION AND DEATH
The Black King's Knight, fire and smoke streaming from
its flared nostrils, boldly opposed the White Queen while
shielding its King's Bishop's Pawn. He knew the Queen
would not slay him; he was guarded by his own Pawn. Then,
suddenly, he noticed the White King's Knight's Pawn slogging
up on his left, ready to run him through.
Fearing only his own life, the Black Knight fled,
whereupon the lowly Bishop's Pawn shrieked with terror as
the Queen administered her death blow. His lifeless body was
summarily removed from the battlefield.
The White Queen now stood, unassailable, angled next to
the Black King, protected by the White King's crafty Bishop.
There was no escape. The Black King died on the stop.
THE MEANING OF LIFE
i wanted to tell you before
but i didnt think you were ready
now
i think youre ready:
the meaning of life
is terry cloth.
What you do with it
is your affair.
WE DON'T THINK ABOUT THESE THINGS
We don't think about these things:
Amid the bustle of American hospital life
Outside one of the elevators
A woman was talking
On a cellular phone
in Arabic!
Apparently
they do that!
GOLF COURSES AND HAIR
My wife had the window seat.
"Golf courses look neat from the air," she said.
For me
a single golden sunlit strand
waving languidly
from the back of the seat
in front
was enough
HE'S NOT HEAVY
He's not heavy, Father!
He's my third cousin
twice removed
by a previous marriage!
POST-CHRISTMAS HAIKU
last lunch of the year;
decorations coming down:
reality jolt!
IMPOSSIBILITIES
Just as you cannot stuff
green guitars
into crumpled white envelopes
you cannot stop up
(for that would be to stop)
walking talking drafty shoes
that follow a lipstick trail
and think of the 'All'
enclosed in a drawn bowl
WHAT'S IMPORTANT?
I see them in their three-piece suits.
I see them in their two-piece suits.
I see them in their no-piece suits.
Scurrying around like ants
on their seemingly important
missions.
Isn't that amusing?
there's something about an open door that's --
open
how else can i tell you how else
can i explain it
an open door is
an invitation
a beckoning thing
an open door
is
open
FINALITY
Have you ever sat in class
at one or two or three past the hour
watched the door
Compress resisting inevitably yielding
(like a woman)
air
down to a sliver
of light, a line,
then reduce the line
to an irrefutable
CLICK
TO A FRIEND
There is a monster in Juárez who hates you.
He waits to ravage
disfigure
and conquer you.
But he cannot chase you.
He can only hurt you
only
if you come
to him.
Stay away from him!
Stay with us!
Stay here
where the healing love
enfolds you.
Stay with us
and live
in freedom
safety
and endless
joy
CELLULAR PHONES
What could
possibly
be so
important?
THE WAY THINGS ARE
Photographer
painter
bowler
archer
runner
was how it was.
Now
only the poet remains.
He plays chess badly
teaches it well
and farts in coffeehouses.
(SCH)ISM
I'm a resident
of a piece of real estate
between the 31st and 32nd parallels
and proud of it!
(no flag though)
POST MORTEM: FRANCES LENT
For her
to live was to fight for "propriety"
to perpetuate the St. Clair way
to keep all her ducks in a row
always.
Her life hung on a fragile chain
of greeting cards
of broken shards
of years gone by.
Strict reciprocity (one for you and one for me)
was her rule
always.
Her view of life
narrow and strong
like a one-way bridge
spanned her days.
Now
an anchor cast adrift
the fight gone out of her
her ducks all scattered
the life slipped out of her
as she slept painlessly
at peace at last.
PITY
in the hospital coffee shop
at breakfast
a woman carrying her tray
as she passed my table
cracked her chewing gum.
What a pity!
She could've been pretty.
ON NATIONALISM
July 4, 1996
The world is so
wonderfully
interestingly
diverse:
Which flag
shall i wave?
HOSPITAL HIGH-TECH
We'd just love to save
this patient's life
today
but the computer's down --
Sorry!
FOOD MINES
(The Providence Memorial Hospital Kitchens)
For Ben Jarvis
The newborn poem
festers in the bones
until
finally
it's surrendered
to the iron grip
of the wintry page.
I work deep in the earth
among the dusky miners
who shout above the din
blind moles who seldom see the sun
(even on Saturday)
who push trackless deafening cars
on invisible roaring rails
to their daily bread.
The refining done
The dross cleared away
they pour their precious life-giving elixir
into the eager bodies
of thousands of anxious souls
to give them another day
to live
suffer
and love
THE VILLAGE
She came in to straighten her son's room.
How many times had she told him
not to leave his toys
scattered on the bed?
Just as she was about to scoop up the "mess"
she saw it:
a master planned
meticulously engineered
community
A ladder climbed the pillow hill
stores and churches lined the neatly laid-out streets
homes nestled securely in the downy suburbs
and all was softly at rest.
She smiled a wistfully grateful smile
turned and slowly walked away
leaving the populace
undisturbed
WHERE IT'S AT
The corporate rat race
is not
"where it's at":
The happy anticipation
in the eyes
of a sick old man
when his domino partner approaches
is where it's at.
FACE IT
Face it:
the jokes of your boss
and of
the people above you
in the real
or imagined
pecking order
and of
the person
you're currently
trying to screw
(one way or another)
are not always funny.
And your job
is definitely
not important.
CINCO DE MAYO HAIKU
grackle walks across
nmsu lily pond:
jet-black feather step
CLICK-CLACK
The click-clack of your heels
as you stride along
the tiled corridor
does not make you seem
(except maybe to you)
the least bit important
to anyone
at all.